"Journey beyond the horizon" - photography Meti Spahiu

In the rubric ‘Albanian Emergent Photographers’ in the field of architecture and urban photography, we bring the young Kosovar photographer Meti Spahiu, who for several years lives and works in Vienna, after his graduation as architect in the Technical Faculty TU WIEN.

In the rubric ‘Albanian Emergent Photographers’ in the field of architecture and urban photography, we bring the young Kosovar photographer Meti Spahiu, who for several years lives and works in Vienna, after his graduation as architect in the Technical Faculty TU WIEN. Meti Spahiu comes for the second time in TatiSpace, after his first presentation with the Photo Series in black & white untitled "Big Cities in my Eyes". This time, his photos are mostly in colour, but there are also black and white ones. The motif is the same- his favourite subject, the Architectural Photography of European cities, shot during his travels. Each of the photos brings back personal memories from cities like Innsbruck and Zurich. Other photographs were taken in Vienna, Munich, Bratislav. The author untitles the series "Journey beyond the Horizon" (dedicated to A.Sh). As he mentioned before, “The idea of my photographs is to bring beautiful images, to draw the public's attention to the aesthetic of the object photographed. I would like people, who pass every day carelessly near a building, to discover the beauty of its architecture when they see the photograph. For me, photography is a field that will never disappoint and that will go hand in hand with the profession of architect."

Allianz Arena, Munich, photography © Meti Spahiu

An den Kohlenrutschen 5, Vienna, photography © Meti Spahiu

Bratislava Bridge, Bratislava, photography © Meti Spahiu

Helmut Zilk Park 1100, Vienna, photography © Meti Spahiu

Odenburgerstrasse 19 1210, Vienna, photography © Meti Spahiu

Hofwiesenstrasse 16 78057, Zyrih , photography © Meti Spahiu

Schlachthausgasse 1030, Vienna, photography © Meti Spahiu

Subway Station Fröttmaning, Munich, photography © Meti Spahiu

Südbahnstrasse_Innsbruck, photography © Meti Spahiu

Taborstrasse 1020 Vienna, photography © Meti Spahiu

UBS Europaallee 23 8004 Zyrih, photography © Meti Spahiu

Hoch Zwei 1020, Vienna, photography © Meti Spahiu

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Rozafa Shpuza

Rozafa Shpuza is a poet and a photographer, a uniqueness that creates a connection between two arts. She writes poetry in Gheg dialect, but she is as well productive in the field of photography, mainly in the genre of urban and street photography. Her photos are mostly shot in the streets of her hometown, Shkodra.

Rozafa Shpuza, Selfportrait

Rozafa Shpuza, Selfportrait

Rozafa Shpuza

(Albania 1969-)


Rozafa Shpuza is a poet and a photographer, a uniqueness that creates a connection between two arts. She writes poetry in Gheg dialect, but she is as well productive in the field of photography, mainly in the genre of urban and street photography. Her photos are mostly shot in the streets of her hometown, Shkodra. The subjects of her photography are urban moments of city scenes, captured in an abstract way, often surreal, with humor and well composed. The second photo gallery, perhaps the most important, is the portraits of the city dwellers, spontaneously shot in the public spaces, while performing activities or meditating in their tranquillity, captured unaware, creating a particular emotional state. What do city characters, silent passers-by, photographed in isolation, think in the midst of the urban chaos? It seems as if each of them is closed in their inner world, immersed in their thoughts and personal worries. In an individualistic society, where everyone thinks for themselves, Rozafa naturally seeks to penetrate the individual and his psychology. A third photo gallery, which I like very much, is the series of self-portraits on the streets of city, shot on sidewalks, shop windows or cafeterias, captured in superposition of different planes, alluding to a complex and confusing world in which the artist and the individual live in the modern city. Rozafa’s photographs, although unique in the Albanian photography scene, are nurtured by a rich international tradition of street photography, created and inspired by the photography of Walker Evans, Garry Winogrand, William Klein, Diane Arbus, Vivian Mayer, and others.

 

Below you can read a description that Rozafa Shpuza makes of her urban photography, given to TatiSpace. How did the creative process start, what was the beginning and the inspiration?

 

Rozafa Shpuza: Photography is a long-standing love of mine, which continues to inspire me and be an important part of my daily life. I have been dealing with photography for many years, sometimes more intensely and sometimes more calmly, and I can say without fear that photography has made my life beautiful. I bought my first camera in Denmark when I went to do a specialization course in 1994. The dynamics of that country, the architecture, the people, the different way of conceiving public spaces tempted me to fix all this on my incredibly modest camera. Since then I have not stopped. I photograph on the street because I feel that the characters I capture are real and convey the message of life without frames. Street photography is the most important part of my artistic creativity. I travel a lot because I feel like cities have a lot of surprises for my camera. The last album with street photos is the one I made in Shkodra during the isolation period of the Covid 19 pandemic. An empty city, scared characters in a hurry, closed windows and doors, all these sensations are already fixed in my album "The diary of an anxious season". I have participated in many activities dedicated to photography, in joint and personal exhibitions, at home and abroad, with the good desire to get to know photographer artists and to see where my photography stands compared to their photos. 3 years ago I opened an art gallery in Shkodra, at the old parents' house, with the good desire to promote artists from all over the world.


Urban Moments

© Rozafa Shpuza, Watery

© Rozafa Shpuza, Watery

© Rozafa Shpuza, Shkodra News

© Rozafa Shpuza, Shkodra News

© Rozafa Shpuza, Shkodra

© Rozafa Shpuza, Shkodra

© Rozafa Shpuza, Kafja e Madhe, Shkodër

© Rozafa Shpuza, Kafja e Madhe, Shkodër

© Rozafa Shpuza, Showcase Approach

© Rozafa Shpuza, Showcase Approach

© Rozafa Shpuza, Selfportrait

© Rozafa Shpuza, Selfportrait

© Rozafa Shpuza, Trille Vitrinash

© Rozafa Shpuza, Trille Vitrinash

© Rozafa Shpuza, No Smoking

© Rozafa Shpuza, No Smoking

© Rozafa Shpuza, Daily

© Rozafa Shpuza, Daily

© Rozafa Shpuza, The Floor F

© Rozafa Shpuza, The Floor F

© Rozafa Shpuza, Bike Repair

© Rozafa Shpuza, Bike Repair

© Rozafa Shpuza, Chez Majlo, Gjilan

© Rozafa Shpuza, Chez Majlo, Gjilan

© Rozafa Shpuza, Pogradec

© Rozafa Shpuza, Pogradec

© Rozafa Shpuza, Nowhere

© Rozafa Shpuza, Nowhere

© Rozafa Shpuza, Communication, Koman Shkoder

© Rozafa Shpuza, Communication, Koman Shkoder

© Rozafa Shpuza, Trumnajë bore

© Rozafa Shpuza, Trumnajë bore

© Rozafa Shpuza, My Nowhere

© Rozafa Shpuza, My Nowhere

Portraits of Passers-by

© Rozafa Shpuza,

© Rozafa Shpuza,

© Rozafa Shpuza

© Rozafa Shpuza

© Rozafa Shpuza, showcase traps

© Rozafa Shpuza, showcase traps

© Rozafa Shpuza, Piano

© Rozafa Shpuza, Piano

© Rozafa Shpuza, Daily Time

© Rozafa Shpuza, Daily Time

© Rozafa Shpuza, Taxes that are forgiven

© Rozafa Shpuza, Taxes that are forgiven

© Rozafa Shpuza, Children

© Rozafa Shpuza, Children

© Rozafa Shpuza, Curiosity

© Rozafa Shpuza, Curiosity

© Rozafa Shpuza, The Walk

© Rozafa Shpuza, The Walk

© Rozafa Shpuza, Icy Memories

© Rozafa Shpuza, Icy Memories

© Rozafa Shpuza, Njomza

© Rozafa Shpuza, Njomza

© Rozafa Shpuza, from the Series ‘Diary of an anxious season’

© Rozafa Shpuza, from the Series ‘Diary of an anxious season’

© Rozafa Shpuza, Time to pray, Shkodër

© Rozafa Shpuza, Time to pray, Shkodër

© Rozafa Shpuza, from the Series ‘Diary of an anxious season’

© Rozafa Shpuza, from the Series ‘Diary of an anxious season’

© Rozafa Shpuza, from the Series ‘Diary of an anxious season’

© Rozafa Shpuza, from the Series ‘Diary of an anxious season’

© Rozafa Shpuza

© Rozafa Shpuza

© Rozafa Shpuza, Wanderer

© Rozafa Shpuza, Wanderer

© Rozafa Shpuza, The Selector, from the Series ‘The Diary of an anxious season”

© Rozafa Shpuza, The Selector, from the Series ‘The Diary of an anxious season”

© Rozafa Shpuza, Lunch

© Rozafa Shpuza, Lunch

© Rozafa Shpuza

© Rozafa Shpuza

© Rozafa Shpuza, Plisa

© Rozafa Shpuza, Plisa

© Rozafa Shpuza, At ‘Dugajt e Reja’, Shkodër

© Rozafa Shpuza, At ‘Dugajt e Reja’, Shkodër

© Rozafa Shpuza, the Neighbor

© Rozafa Shpuza, the Neighbor

Color Photography

© Rozafa Shpuza, Salty twilight

© Rozafa Shpuza, Salty twilight

© Rozafa Shpuza, Communication

© Rozafa Shpuza, Communication

© Rozafa Shpuza, Once Upon a Time

© Rozafa Shpuza, Once Upon a Time

You can see more of Rozafa Shpuza photos, in her social media, Facebook, Instagram and Galleria Oda.

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"Big cities in my eyes" - photography Meti Spahiu (English)

At TATÌ SPACE we are opening a new series of blogposts on Albanian emerging photographers in the field of Architectural Photography. Meti Spahiu is a recent graduate architect at the Technical Faculty of Vienna (TU WIEN), who pursues the passion of Architectural Photography. The subject of his photograph are the residential and commercial buildings in Vienna and other European cities.

At TATÌ SPACE we are opening a new series of blogposts on Albanian emerging photographers in the field of Architectural Photography. Meti Spahiu is a recent graduate architect at the Technical Faculty of Vienna (TU WIEN), who pursues the passion of Architectural Photography. The subject of his photographs are the residential and commercial buildings in Vienna and other European cities. Born in Kamenica, Kosovo, where he lived until the age of 25, Meti moved to study and live in Vienna, Austria. He sees his journey in architecture closely linked to photography. His black and white photographs express the verticality and horizontality in architecture, reinforcing the aesthetic of the building. As he says, “The idea of ​​my photographs is to bring beautiful images, to draw the public's attention to the aesthetics of the objects photographed. I would like people who pass every day carelessly near a building to discover the beauty of its architecture when they see the photograph. "For me, photography is a field that will never disappoint and that will go hand in hand with the profession of architect."

 
City gate Aderklaaerstrasse - Vienna, © Meti Spahiu

City gate Aderklaaerstrasse - Vienna, © Meti Spahiu

Fernheizwerk Arsenal - Vienna, © Meti Spahiu

Fernheizwerk Arsenal - Vienna, © Meti Spahiu

Harry SeidlerTurm - Vienna, © Meti Spahiu

Harry SeidlerTurm - Vienna, © Meti Spahiu

JanisJoplin Promenade - Vienna, © Meti Spahiu

JanisJoplin Promenade - Vienna, © Meti Spahiu

Leonard-Bernstein-Strasse - Vienna, © Meti Spahiu

Leonard-Bernstein-Strasse - Vienna, © Meti Spahiu

Maintrain Station -Vienna, © Meti Spahiu

Maintrain Station -Vienna, © Meti Spahiu

Olympiahalle 6020 Innsbruck, © Meti Spahiu

Olympiahalle 6020 Innsbruck, © Meti Spahiu

Strasse der Wiener Wirtschaft - Vienna, © Meti Spahiu

Strasse der Wiener Wirtschaft - Vienna, © Meti Spahiu

The stairs school “Eusebio da Guarda”, © Meti Spahiu

The stairs school “Eusebio da Guarda”, © Meti Spahiu

Via Dell’annunciata Milano, © Meti Spahiu

Via Dell’annunciata Milano, © Meti Spahiu

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